projects

Julius Popp (Germany)
Bit.Code, 2009
Kinetic installation dealing with the issues of re-encoding of information and the recognizability of signs.

Denis Perevalov, Nina Rizhskaya, Igor Tatarnikov/Sodazot (Russia)
City of (IM)Possibilities, 2011
Interactive installation presenting the look of the city as influenced by geophysical and space parameters (change of Sun temperature, gravitation, radius of Earth, and other).

Denis Perevalov, Nina Rizhskaya, Igor Tatarnikov/Sodazot (Russia)
Spherical Phonograph, 2011
Interactive installation that enables visitors to record sound onto a virtual sphere.

 
Dmitry & Elena Kavarga (Russia)
Residual thought-flows, 2008
Transparent two-metre glass flasks with the inbuilt speakers and devices of bio-inverse connection

Christa Sommerer (Austria) & Laurent Mignonneau (France)
Mobile Feelings, 2004
Interactive objects that explore the intimacy of communication through virtual touch and body characteristics including heartbeat, blood volume pressure and pulse, skin conductivity, sweat and smell.

Sergey Novik, Andrey Khazov (Russia)
Alive Connections, 2011
Self-organizing system of artificial creatures representing various kinds of behaviours.

Where the Dogs Run (Russia)
Osadok, 2011
Interactive video of the stream of slowly falling potatoes, that now and then “look” at you.

 
Sonia Cillari (Italy/Netherlands)
As an Artist I Need to Rest, 2010
Performance in which the projected image is formed by artist’s exhalations.

 
Arijana Kajfes (Sweden)
The Undistorted Image of..., 2010
Installation based on a speculation made by René Descartes in
his writings about optics, concerning the possibility of finding an
undistorted image. The image of a pregnant woman’s vision could pass
through her arteries and the pineal gland to be developed as a
birthmark on the body of her foetus. The visitors’ birthmarks are analysed through topographical, spectral and point cloud imaging.

Electroboutique
Alexey Shulgin, Aristarkh Chernyshev (Russia)
WowPod, 2008
Interactive mediasculpture that is an artistic interface for an iPod. Giant distorted ipod further develops ideas of creative capitalism, being at the same time critical towards it.

Electroboutique
Aristarkh Chernyshev (Russia)
Lyric Economy, 2005
Electronic object that shows the “poetry” of today – stock exchange rates, oil and gold prices, celebrity news and ad slogans. In modern rationalized globalized world, no space is left for lyricism. Poetic Economy brilliantly embodies this idea, at the same time leaving a hope that there is still place for art in this world, if nothing else as shimmering lights of advertisement boards.

Electroboutique
Alexey Shulgin, Aristarkh Chernyshev (Russia)
Invisible Message, 2011
Messages of the electronic glass objects can be read only with a help of a camera or a cell phone.